Psyche And Cupid

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Amor und Psyche ist ein sehr verbreitetes Sujet der Bildenden Kunst der Antike und der Neuzeit und ein beliebtes Thema der Belletristik und der Musik. Amor und Psyche ist ein sehr verbreitetes Sujet der Bildenden Kunst der Antike und der Books IV 28–35, V and VI 1– The Tale of Cupid and Psyche. Egbert​. 4 quotes from Cupid and Psyche: 'It is a difficult matter to keep love imprisoned.'. Jean Baptiste sigmafm.nl and Psyche, The passionate love story of a god and an exquisitely beautiful mortal woman, the myth of Cupid and Psyche has fascinated Western culture since the Middle.

Psyche And Cupid

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Psyche And Cupid Video

Cupid and Psyche - TAGALOG SUBBED

Instead, Cupid placed Psyche in a remote palace where he could visit her secretly and, by his warning, only in total darkness.

One night Psyche lit a lamp and found that the figure at her side was the god of love himself. When a drop of oil from the lamp awakened him, he reproached Psyche and fled.

Wandering the earth in search of him, Psyche fell into the hands of Venus, who imposed upon her difficult tasks.

The sources of the tale are a number of folk motifs; the handling by Apuleius, however, conveys an allegory of the progress of the Soul guided by Love, which adhered to Psyche in Renaissance literature and art.

Article Media. Info Print Cite. Submit Feedback. Once you cross the threshold, you are committed to the unswerving course that takes you to the very Regia of Orcus.

The speaking tower warns her to maintain silence as she passes by several ominous figures: a lame man driving a mule loaded with sticks, a dead man swimming in the river that separates the world of the living from the world of the dead, and old women weaving.

These, the tower warns, will seek to divert her by pleading for her help: she must ignore them. The cakes are treats for distracting Cerberus , the three-headed watchdog of Orcus , and the two coins for Charon the ferryman , so she can make a return trip.

Everything comes to pass according to plan, and Proserpina grants Psyche's humble entreaty. As soon as she reenters the light of day, however, Psyche is overcome by a bold curiosity, and can't resist opening the box in the hope of enhancing her own beauty.

She finds nothing inside but an "infernal and Stygian sleep," which sends her into a deep and unmoving torpor.

Meanwhile, Cupid's wound has healed into a scar, and he escapes his mother's house by flying out of a window. When he finds Psyche, he draws the sleep from her face and replaces it in the box, then pricks her with an arrow that does no harm.

He lifts her into the air, and takes her to present the box to Venus. He then takes his case to Zeus , who gives his consent in return for Cupid's future help whenever a choice maiden catches his eye.

Zeus has Hermes convene an assembly of the gods in the theater of heaven, where he makes a public statement of approval, warns Venus to back off, and gives Psyche ambrosia , the drink of immortality, [15] so the couple can be united in marriage as equals.

Their union, he says, will redeem Cupid from his history of provoking adultery and sordid liaisons. With its happy marriage and resolution of conflicts, the tale ends in the manner of classic comedy [17] or Greek romances such as Daphnis and Chloe.

The assembly of the gods has been a popular subject for both visual and performing arts, with the wedding banquet of Cupid and Psyche a particularly rich occasion.

With the wedding of Peleus and Thetis , this is the most common setting for a " Feast of the Gods " scene in art.

Apuleius describes the scene in terms of a festive Roman dinner party cena. Cupid, now a husband, reclines in the place of honor the "top" couch and embraces Psyche in his lap.

Zeus and Hera situate themselves likewise, and all the other gods are arranged in order. The cupbearer of Jove Zeus's other Roman name serves him with nectar, the "wine of the gods"; Apuleius refers to the cupbearer only as ille rusticus puer , "that country boy," and not as Ganymede.

Liber , the Roman god of wine, serves the rest of the company. Vulcan , the god of fire, cooks the food; the Horae "Seasons" or "Hours" adorn, or more literally "empurple," everything with roses and other flowers; the Graces suffuse the setting with the scent of balsam , and the Muses with melodic singing.

Apollo sings to his lyre , and Venus takes the starring role in dancing at the wedding, with the Muses as her chorus girls, a satyr blowing the aulos tibia in Latin , and a young Pan expressing himself through the pan pipes fistula.

The wedding provides closure for the narrative structure as well as for the love story: the mysteriously provided pleasures Psyche enjoyed in the domus of Cupid at the beginning of her odyssey, when she entered into a false marriage preceded by funeral rites, are reimagined in the hall of the gods following correct ritual procedure for a real marriage.

The wedding banquet was a favored theme for Renaissance art. As early as , Giovanni Sabadino degli Arienti made the banquet central to his now-lost Cupid and Psyche cycle at the Villa Belriguardo , near Ferrara.

The painting reflects the Rococo taste for pastels, fluid delicacy, and amorous scenarios infused with youth and beauty.

The story of Cupid and Psyche was readily allegorized. In late antiquity , Martianus Capella 5th century refashions it as an allegory about the fall of the human soul.

In the version of Martianus, sexual love draws Psyche into the material world that is subject to death: [27] "Cupid takes Psyche from Virtue and shackles her in adamantine chains ".

The tale thus lent itself to adaptation in a Christian or mystical context. In the Gnostic text On the Origin of the World , the first rose is created from the blood of Psyche when she loses her virginity to Cupid.

Apuleius's novel was among the ancient texts that made the crucial transition from roll to codex form when it was edited at the end of the 4th century.

It was known to Latin writers such as Augustine of Hippo , Macrobius , Sidonius Apollinaris , Martianus Capella, and Fulgentius, but toward the end of the 6th century lapsed into obscurity and survived what was formerly known as the " Dark Ages " through perhaps a single manuscript.

One of the most popular images from the tale was Psyche's discovery of a naked Cupid sleeping, found in ceramics, stained glass , and frescos.

Mannerist painters were intensely drawn to the scene. A fresco cycle for Hill Hall, Essex , was modeled indirectly after that of the Villa Farnesina around , [37] and Thomas Heywood 's masque Love's Mistress dramatized the tale to celebrate the wedding of Charles I and Henrietta Maria , who later had her withdrawing chamber decorated with a painting Cupid and Psyche cycle by Jacob Jordaens.

The cycle took the divinization of Psyche as the centerpiece of the ceiling, and was a vehicle for the Neoplatonism the queen brought with her from France.

Another peak of interest in Cupid and Psyche occurred in the Paris of the late s and early s, reflected in a proliferation of opera, ballet, Salon art , deluxe book editions, interior decoration such as clocks and wall paneling, and even hairstyles.

In the aftermath of the French Revolution , the myth became a vehicle for the refashioning of the self. In writing about the Portland Vase , which was obtained by the British Museum around , Erasmus Darwin speculated that the myth of Cupid and Psyche was part of the Eleusinian cycle.

With his interest in natural philosophy , Darwin saw the butterfly as an apt emblem of the soul because it began as an earthbound caterpillar, "died" into the pupal stage , and was then resurrected as a beautiful winged creature.

Shackerley Marmion wrote a verse version called Cupid and Psyche , and La Fontaine a mixed prose and verse romance William Blake's mythology draws on elements of the tale particularly in the figures of Luvah and Vala.

Luvah takes on the various guises of Apuleius's Cupid: beautiful and winged; disembodied voice; and serpent. Blake , who mentions his admiration for Apuleius in his notes, combines the myth with the spiritual quest expressed through the eroticism of the Song of Solomon , with Solomon and the Shulamite as a parallel couple.

Mary Tighe published her poem Psyche in She added some details to the story, such placing two springs in Venus' garden, one with sweet water and one with bitter.

When Cupid starts to obey his mother's command, he brings some of both to a sleeping Psyche, but places only the bitter water on Psyche's lips.

Tighe's Venus only asks one task of Psyche, to bring her the forbidden water, but in performing this task Psyche wanders into a country bordering on Spenser 's Fairie Queene as Psyche is aided by a mysterious visored knight and his squire Constance, and must escape various traps set by Vanity, Flattery, Ambition, Credulity, Disfida who lives in a "Gothic castle" , Varia and Geloso.

Spenser's Blatant Beast also makes an appearance. Tighe's work influenced English lyric poetry on the theme, including two poems by William Wordsworth called "To a Butterfly," [46] and the Ode to Psyche by John Keats.

Sylvia Townsend Warner transferred the story to Victorian England in her novel The True Heart , though few readers made the connection till she pointed it out herself.

Hilda Doolittle. Adlington seems not to have been interested in a Neoplatonic reading, but his translation consistently suppresses the sensuality of the original.

German philologist Ludwig Friedländer listed several variants of "Animal Bridegroom" and "Search for the Lost Husband" tales, as collected or written in famous European works, as part of the "Cupid and Psyche" cycle of stories which later became known as "The Search for the Lost Husband".

Motifs from Apuleius occur in several fairy tales, including Cinderella and Rumpelstiltskin , in versions collected by folklorists trained in the classical tradition, such as Charles Perrault and the Grimm brothers.

Like Cinderella, Psyche has two envious sisters who compete with her for the most desirable male. Cinderella's sisters mutilate their own feet to emulate her, while Psyche's are dashed to death on a rocky cliff.

She cannot bring herself to kill the Prince, however. Unlike Psyche, who becomes immortal, she doesn't receive his love in return, but she, nevertheless, ultimately earns the eternal soul she yearns for.

Thomas Bulfinch wrote a shorter adaptation of the Cupid and Psyche tale for his Age of Fable , borrowing Tighe's invention of Cupid's self-wounding, which did not appear in the original.

Till We Have Faces is C. Lewis' last work of fiction and elaborates on Apuleius' story in a modern way.

Matthew Locke 's semi-opera Psyche is a loose reworking from the production. In the 19th century, Cupid and Psyche was a source for "transformations," visual interludes involving tableaux vivants , transparencies and stage machinery that were presented between the scenes of a pantomime but extraneous to the plot.

To create these tableaux , costumed performers "froze" in poses before a background copied meticulously from the original and enlarged within a giant picture frame.

Next work Curiosity. Conditions for Use of Images. Go to the artwork description. Paintings French painting. The young princess Psyche is both surprised and aroused by the first kiss of Cupid, who is invisible to her.

The antique myth depicted here is a love story but also a metaphysical allegory: Psyche is a personification of the human soul.

Psyche, the princess whose beauty aroused the jealousy of Venus, is loved by the goddess' son, Cupid. Surprised and aroused, Psyche is shyly crossing her arms over her naked breasts.

This is the first pang of love, the beginning of a love story that would take Psyche and Cupid through all kinds of trials and tribulations before their marriage on Mount Olympus.

The myth was both a love story and a metaphysical allegory, since Psyche is the Greek word for "soul".

The artist has painted a butterfly hovering over the young woman's head: the insect's name in ancient Greek is also "psyche" and symbolizes the soul.

He showed it at the Salon, where it received a mixed reception. Many commentators were bothered by the evolution of neoclassicism which they saw in the work.

You are so ill favored and disagreeable that the only way you can merit your lover must be by dint of industry and diligence. Kennedy Book Of Ra Apk Mod London, Ashliman's folktextsa library of folktales, folklore, fairy tales, and mythology. But when Venus withdraws to attend a wedding feast, a kind ant takes pity on Psyche, and assembles a fleet of insects Bonus Bet Bwin accomplish the task. The Jon Snow Wolf Greek goddess of love and beauty, Aphrodite or Venus in Latinwas born from the foam near the island of Cyprus, for which reason she is referred to as "the Cyprian. They embraced her and she returned their caresses. Namensräume Artikel Diskussion. Viele Gemälde und Skulpturen befassen sich mit dem Paar. Bei einem weiteren Besuch gelingt es ihnen, das naive Mädchen, das mittlerweile ein Kind erwartet, davon zu überzeugen, dass Amor in Wirklichkeit eine grässliche Schlange sei, weswegen er ihr nie bei Tageslicht No Deposit Casino Keep Your Winnings, und überdies beabsichtige, die Schwangere zu verschlingen. Amor warnt sie aber, sie dürfe sich nicht von den Schwestern verleiten lassen, herauszufinden, wer er sei. Amor und Psyche oder etwa der vierteilige Pygmalion-Zyklus. Eingebettet ist sie in die Darstellung des Schicksals des Mädchens Charite, das von Psyche And Cupid Räuberbande entführt worden ist. In diesem Schloss sucht ihr jetziger Geliebter Amor sie Nacht für Nacht auf, doch tagsüber verschwindet er, ohne dass sie ihn je zu Gesicht bekommt. Die neuzeitliche künstlerische Behandlung des Stoffs knüpft direkt oder indirekt an die Erzählung von Amor und Psyche an, die in den Metamorphosen des Apuleius aus dem Jocuri Aparate Miniclip Book Of Ra. Cupid and Psyche Amor und Psyche

Psyche And Cupid - Inhaltsverzeichnis

Pinterest is using cookies to help give you the best experience we can. In diesem Schloss sucht ihr jetziger Geliebter Amor sie Nacht für Nacht auf, doch tagsüber verschwindet er, ohne dass sie ihn je zu Gesicht bekommt. Die neuzeitliche künstlerische Behandlung des Stoffs knüpft direkt oder indirekt an die Erzählung von Amor und Psyche an, die in den Metamorphosen des Apuleius aus dem 2. Bouguereau: Cupid and Psyche, Sie ist so schön, dass alle aufhören, Venus , die Göttin der Schönheit und der Liebe, zu verehren.

Psyche And Cupid Video

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Psyche And Cupid

Registrieren Einloggen. Die Geschichte von Amor und Psyche stammt nicht aus der griechischen Vorlage der Metamorphosen; offenbar handelt es sich um eine Schöpfung des Apuleius. Just a moment while we sign you in to your Goodreads account. Kunstdruck, Leinwandbild, gerahmtes Bild, Glasbild Android App Mit Tapete. Diese Beispiele können umgangssprachliche Wörter, die auf der Grundlage Ihrer Suchergebnis enthalten. Alle Rechte vorbehalten. Dank der Hilfe von Ameisensprechendem Google Spiele Apps KostenlosTürmen etc. Übersetzung Rechtschreibprüfung Konjugation Synonyme new Documents.

Cupid might have gone along with the separation, but Psyche couldn't. Impelled by the love of her beautiful husband, she implored her mother-in-law to give her another chance.

Aphrodite agreed, but there were conditions. Aphrodite had no intention of playing fair. She devised four tasks not three as is conventional in mythic hero quests , each task more exacting than the last.

Psyche passed the first three challenges, but the last task was too much for her. The four tasks were:. Going to the underworld was a challenge for the bravest of the Greek mythical heroes.

Demigod Hercules could go to the underworld with ease, but human Theseus had trouble and had to be rescued by Hercules. Psyche, however, was confident when Aphrodite told her she would have to go to the most dangerous region known to mortals.

The voyage was easy, especially after a speaking tower told her how to find the entryway to the underworld, how to get around Charon and Cerberus, and how to behave before the underworld queen.

The part of the fourth task that was too much for Psyche was to bring back the beauty cream. The temptation was too great to make herself more beautiful—to use the cream she procured.

If the perfect beauty of the perfect goddess Aphrodite needed this underworld beauty cream, Psyche reasoned, how much more would it help an imperfect mortal woman?

Thus, Psyche retrieved the box successfully, but then she opened it and fell into a deathlike sleep, as Aphrodite had secretly predicted.

At this point, divine intervention was called for if the story were to have an ending that made anyone really happy. With Zeus' connivance, Cupid brought his wife to Olympus, where, at Zeus's command, she was given nectar and ambrosia so she would become immortal.

Obedient as always to his mother, Cupid descended to the earthly plane to do as she wished. Yet he was so astonished himself by the mortal princess's beauty that he mistakenly shot himself.

From that moment, Cupid was irrevocably in love with the princess. Around this time, it became evident to her parents that Psyche's attractiveness had angered the gods , as no mortal man would take her hand in marriage.

Imploring the temple of Apollo, they learned that Psyche was destined for a much worse fate than celibacy: "The virgin is destined for the bride of no mortal lover.

Her future husband awaits her on the top of the mountain. He is a monster whom neither gods nor men can resist. Psyche, conscious of the mistakes of her mortal kingdom for praising her so highly, was content to follow the oracle's advice.

From the top of the highest cliff, dressed in funerary garbs, Psyche was swept away by the west wind, Zephyr. She was brought to a striking valley, in the center of which stood a palace so magnificent it could not have been built by any hands other than the gods'.

Surrounded by luscious trees with a crystalline fountain at its heart, Psyche soon concluded that this golden hall would be her new home, further reiterated by the voice of her new husband echoing through the halls.

This faceless stranger began to visit her in the night, every night, to make love to her in the darkness. But despite his nighttime tenderness, Psyche was haunted by the oracle's claim that he was a monster.

Public Domain. When she allowed her two sisters to visit, they were jealous of her beautiful home and insisted that if Psyche's husband really was a monster she owed it to herself to find out.

So Psyche was convinced to break her husband's only request of allowing his face to remain a secret. She gazed upon him in the night and in doing so, she damned their relationship.

A single drop of oil fell from the candle Psyche lit to gaze at his face, waking him, and Cupid, in all his majestic beauty, fled their home, distressed by her betrayal.

Distraught, Psyche went in search of her husband, traveling for many days, until she came to the temple of Ceres , the motherly goddess of grain. Ceres instructed Psyche to surrender herself to Venus and take whatever ill will the goddess would throw at her.

Obeying Ceres' advice, Psyche was thus given three seemingly impossible tasks to complete. First, the princess had to separate the grains of Venus' temple's storehouse into piles of barley, millet, beans, etc.

Second, Psyche had to steal golden wool from a herd of sheep; third and finally, Psyche was ordered to travel into the Underworld and request from Queen Proserpina a little of her beauty to pass along to the goddess of love.

This task, however, demanded a further challenge: that Psyche keep the box in which the beauty is placed tightly closed, for fear of terrible repercussions.

Unknown to Psyche, throughout these trails, Cupid was constantly at her aid. He instructed ants to help her sort the grains; and then the river god offered her instructions on how to steal the prize fleece from the shepherd.

Finally, Psyche was given divine advice on how to surpass the dangers of Hades. Her failure—foretold by Venus herself—came when Psyche, greatly upset by the trials she had to overcome, opened the box and was overcome by the Stygian sleep , a sleep so strong she was considered the living dead.

The wedding banquet was a favored theme for Renaissance art. As early as , Giovanni Sabadino degli Arienti made the banquet central to his now-lost Cupid and Psyche cycle at the Villa Belriguardo , near Ferrara.

The painting reflects the Rococo taste for pastels, fluid delicacy, and amorous scenarios infused with youth and beauty. The story of Cupid and Psyche was readily allegorized.

In late antiquity , Martianus Capella 5th century refashions it as an allegory about the fall of the human soul. In the version of Martianus, sexual love draws Psyche into the material world that is subject to death: [27] "Cupid takes Psyche from Virtue and shackles her in adamantine chains ".

The tale thus lent itself to adaptation in a Christian or mystical context. In the Gnostic text On the Origin of the World , the first rose is created from the blood of Psyche when she loses her virginity to Cupid.

Apuleius's novel was among the ancient texts that made the crucial transition from roll to codex form when it was edited at the end of the 4th century.

It was known to Latin writers such as Augustine of Hippo , Macrobius , Sidonius Apollinaris , Martianus Capella, and Fulgentius, but toward the end of the 6th century lapsed into obscurity and survived what was formerly known as the " Dark Ages " through perhaps a single manuscript.

One of the most popular images from the tale was Psyche's discovery of a naked Cupid sleeping, found in ceramics, stained glass , and frescos.

Mannerist painters were intensely drawn to the scene. A fresco cycle for Hill Hall, Essex , was modeled indirectly after that of the Villa Farnesina around , [37] and Thomas Heywood 's masque Love's Mistress dramatized the tale to celebrate the wedding of Charles I and Henrietta Maria , who later had her withdrawing chamber decorated with a painting Cupid and Psyche cycle by Jacob Jordaens.

The cycle took the divinization of Psyche as the centerpiece of the ceiling, and was a vehicle for the Neoplatonism the queen brought with her from France.

Another peak of interest in Cupid and Psyche occurred in the Paris of the late s and early s, reflected in a proliferation of opera, ballet, Salon art , deluxe book editions, interior decoration such as clocks and wall paneling, and even hairstyles.

In the aftermath of the French Revolution , the myth became a vehicle for the refashioning of the self. In writing about the Portland Vase , which was obtained by the British Museum around , Erasmus Darwin speculated that the myth of Cupid and Psyche was part of the Eleusinian cycle.

With his interest in natural philosophy , Darwin saw the butterfly as an apt emblem of the soul because it began as an earthbound caterpillar, "died" into the pupal stage , and was then resurrected as a beautiful winged creature.

Shackerley Marmion wrote a verse version called Cupid and Psyche , and La Fontaine a mixed prose and verse romance William Blake's mythology draws on elements of the tale particularly in the figures of Luvah and Vala.

Luvah takes on the various guises of Apuleius's Cupid: beautiful and winged; disembodied voice; and serpent.

Blake , who mentions his admiration for Apuleius in his notes, combines the myth with the spiritual quest expressed through the eroticism of the Song of Solomon , with Solomon and the Shulamite as a parallel couple.

Mary Tighe published her poem Psyche in She added some details to the story, such placing two springs in Venus' garden, one with sweet water and one with bitter.

When Cupid starts to obey his mother's command, he brings some of both to a sleeping Psyche, but places only the bitter water on Psyche's lips.

Tighe's Venus only asks one task of Psyche, to bring her the forbidden water, but in performing this task Psyche wanders into a country bordering on Spenser 's Fairie Queene as Psyche is aided by a mysterious visored knight and his squire Constance, and must escape various traps set by Vanity, Flattery, Ambition, Credulity, Disfida who lives in a "Gothic castle" , Varia and Geloso.

Spenser's Blatant Beast also makes an appearance. Tighe's work influenced English lyric poetry on the theme, including two poems by William Wordsworth called "To a Butterfly," [46] and the Ode to Psyche by John Keats.

Sylvia Townsend Warner transferred the story to Victorian England in her novel The True Heart , though few readers made the connection till she pointed it out herself.

Hilda Doolittle. Adlington seems not to have been interested in a Neoplatonic reading, but his translation consistently suppresses the sensuality of the original.

German philologist Ludwig Friedländer listed several variants of "Animal Bridegroom" and "Search for the Lost Husband" tales, as collected or written in famous European works, as part of the "Cupid and Psyche" cycle of stories which later became known as "The Search for the Lost Husband".

Motifs from Apuleius occur in several fairy tales, including Cinderella and Rumpelstiltskin , in versions collected by folklorists trained in the classical tradition, such as Charles Perrault and the Grimm brothers.

Like Cinderella, Psyche has two envious sisters who compete with her for the most desirable male. Cinderella's sisters mutilate their own feet to emulate her, while Psyche's are dashed to death on a rocky cliff.

She cannot bring herself to kill the Prince, however. Unlike Psyche, who becomes immortal, she doesn't receive his love in return, but she, nevertheless, ultimately earns the eternal soul she yearns for.

Thomas Bulfinch wrote a shorter adaptation of the Cupid and Psyche tale for his Age of Fable , borrowing Tighe's invention of Cupid's self-wounding, which did not appear in the original.

Till We Have Faces is C. Lewis' last work of fiction and elaborates on Apuleius' story in a modern way. Matthew Locke 's semi-opera Psyche is a loose reworking from the production.

In the 19th century, Cupid and Psyche was a source for "transformations," visual interludes involving tableaux vivants , transparencies and stage machinery that were presented between the scenes of a pantomime but extraneous to the plot.

To create these tableaux , costumed performers "froze" in poses before a background copied meticulously from the original and enlarged within a giant picture frame.

Nudity was feigned by flesh-colored bodystockings that negotiated standards of realism, good taste, and morality. Cupid and Psyche continues to be a source of inspiration for modern playwrights and composers.

Notable adaptations include:. Viewed in terms of psychology rather than allegory, the tale of Cupid and Psyche shows how "a mutable person … matures within the social constructs of family and marriage".

Cupid and Psyche has been analyzed from a feminist perspective as a paradigm of how the gender unity of women is disintegrated through rivalry and envy, replacing the bonds of sisterhood with an ideal of heterosexual love.

Carol Gilligan uses the story as the basis for much of her analysis of love and relationships in The Birth of Pleasure Knopf, The story of Cupid and Psyche is depicted in a wide range of visual media.

Psyche is often represented with butterfly wings, and the butterfly is her frequent attribute and a symbol of the soul, though the literary Cupid and Psyche never says that she has or acquires wings.

In antiquity , an iconographical tradition existed independently of Apuleius's tale and influenced later depictions. Some extant examples suggest that in antiquity Cupid and Psyche could have a religious or mystical meaning.

Rings bearing their likeness, several of which come from Roman Britain , may have served an amuletic purpose. The allegorical pairing depicts perfection of human love in integrated embrace of body and soul 'psyche' Greek for butterfly symbol for transcendent immortal life after death.

On sarcophagi , the couple often seem to represent an allegory of love overcoming death. A relief of Cupid and Psyche was displayed at the mithraeum of Capua , but it is unclear whether it expresses a Mithraic quest for salvation, or was simply a subject that appealed to an individual for other reasons.

Psyche is invoked with "Providence" Pronoia at the beginning of the so-called Mithras Liturgy. In late antiquity , the couple are often shown in a "chin-chuck" embrace, a gesture of "erotic communion" with a long history.

Other depictions surviving from antiquity include a 2nd-century papyrus illustration possibly of the tale, [90] and a ceiling fresco at Trier executed during the reign of Constantine I.

Works of art proliferated after the rediscovery of Apuleius's text, in conjunction with the influence of classical sculpture.

In the midth century, Cupid and Psyche became a popular subject for Italian wedding chests cassoni , [91] particularly those of the Medici.

The choice was most likely prompted by Boccaccio's Christianized allegory. The earliest of these cassoni , dated variously to the years —, [92] pictures the narrative in two parts: from Psyche's conception to her abandonment by Cupid; and her wanderings and the happy ending.

Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina ca.

The special interest in the wedding as a subject in Northern Mannerism seems to spring from a large engraving of by Hendrik Goltzius in Haarlem of a drawing by Bartholomeus Spranger now Rijksmuseum that Karel van Mander had brought back from Prague , where Spranger was court painter to Rudolf II.

Over 80 figures are shown, placed up in the clouds over a world landscape that can be glimpsed below.

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